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How to Explain Yourself to WolvesBy Jayme Volstad
A winding dirt path curving through ancient oaks and misty rolling hills at sunrise
THE MANUSCRIPT IN SEQUENCE

Begin the Journey

The Atlas contains the territory. The road begins when you choose how to move through it.

YOU FOUND AN INSTRUCTION
“UNDERSTAND QUICKLY, OR SOMEONE MAY GET HURT.”

The Red Coat — Pockets

A lone traveler approaching the misty basin of the Valley under gathering storm clouds
01 / FIRST JURISDICTION

The Valley of
Please Understand Me

A low basin where the air is thick with explanations that were never asked for.

An elevated aerial view of the Valley labyrinth crossed by dozens of looping dirt roads in the fog
NESTED JURISDICTIONS // CHAPTER 3–5

In this basin, you could spend forty years assembling evidence to prove you were cold in the snow, while the committee sat before a blazing hearth and asked for three more notarized statements before they would concede frost.

Heavy rain pouring through dense ancient woodland with mist rising from the wet ground and a green umbrella
02 / ATMOSPHERIC ENTANGLEMENT

The Forest of
Other People’s Weather

You were not caught in the rain because the sky was grey. You were drenched because someone three miles up the road had clenched their jaw, and you had spent twenty years learning that a clenched jaw meant hail was coming for your roof.

A suspension crossing built from small compromises over a deep canyon
03 / THE SUSPENSION CROSSING

The Bridge of
If Only I Were Easier

The bridge was held together by optimism and the belief that if you swallowed enough of your own speech, the cables would bear your weight. To cross, you had to leave your luggage behind. Then your shoes. Then your tongue.

A dark clearing in ancient woods with silent wolves watching calmly from between the trees
04 / THE INTERROGATION OF INTENTION

The Wolves Who
Asked Questions

If a creature ran at you with its mouth open, fear was comparatively simple. If it sat calmly in the path and tilted its head as though it merely had concerns, things became less clear. “Where are you going?” said the wolf. “Why are you really here?”

A narrow freestanding white door standing at the side of a country road without walls
05 / CHEMICAL INTERRUPTION

The Little
White Door

Standing alone at the edge of the road, narrow and pale in the weak light, with no wall around it and no house waiting on either side. It did not ask why. It offered no country at all. That was part of its beauty.

Ground-level view of the Carnival of Borrowed Rooms with warm 40-watt filament bulbs, wet boardwalk, and tents
The Carnival of Borrowed Rooms plunged into quiet darkness under the moon with lights extinguished
06 / THE MIDWAY

The Carnival of
Borrowed Rooms

The rainy midway was lit by forty-watt bulbs. Every booth offered a room that belonged to someone else. The exit does not unlock when the show finishes—the exit unlocks when you stop sitting in the front row.

The Tailor's Shop with shears, spools, chalk, and red wool garments
07 / INTIMATE INTERIOR

The Tailor’s Shop

He said the fit was exact. He meant he had pinned your sleeves to your ribs until breathing became an act of presumption.

The open road continuing into uncalibrated country with lanterns in the distance

Through

You do not arrive somewhere else. You simply stop turning around to see if they are nodding.

Self-Cartography

You are no longer traveling through her map. Now you are holding yours.

An instrument for mapping your own boundaries, inherited assumptions, and unmapped ground.